Thursday, October 15, 2015
New mobile literacies
Tuesday, May 27, 2014
Commodification
Wednesday, February 13, 2013
The Trashmaster: literacy and new media
Monday, September 03, 2012
In print

Finally, the Virtual Literacies book is going to press. It's been a delight to work so harmoniously with co-editors Julia Gillen, Jackie Marsh and Julia Davies as well as with a talented bunch of contributors. I know it sounds decidedly old-school, but it'll be great to get my hands on the hard copy! And, to add to the flow of publication my paper 'Mobile Practices in Everyday Life' is now online with BJET. That's the second of my forrays into what I see as the world of ICT. Now it's probably time to regroup with my literacies colleagues!
Wednesday, January 04, 2012
Canada's digital literacy
In everyday uses of the word, literacy associates with being able to read and write. But making meaning, by locating, organizing, and understanding information are also implied, along with critical engagement. So literacy involves both the production and consumption of meaning. Reading Canada’s Information and CommunicationsTechnology Council’s white paper on digital literacy is interesting in this light. Just add the words digital and technology and you come to their definition Digital Literacy which is 'taken to mean the ability to locate, organize, understand, evaluate, and create information using digital technology for a knowledge-based society. It involves a working knowledge of current high-technology, and an understanding of how it can be used. Digitally literate people can communicate and work more efficiently, especially with those who possess the same knowledge and skills.'
Monday, December 12, 2011
Schools - the future?
Monday, December 05, 2011
History of use
Saturday, July 30, 2011
Baroque literacies?
The picture is supposed to evoke the idea of ponds within ponds (Leibniz) and the following are some of the ideas I'm working on, beginning with the idea that the human subject is embodied and all activity is situated (there is little choice in this, after all, at least from a phenomenological poit of view). And then, as a result there may be little gain in ‘looking up’ to more abstract theory, but a compelling richness in ‘looking down’ into the complexities and interconnections of embodiment and situated activity itself. Rather than moving in the direction of coherence and convergence this suggests a view of literacies informed by the notion of ‘baroque complexity’ (Kwa, 2002) - one that may provide a more nuanced account of how digital texts enter the communication economy of contemporary literacy practices. Drawing generously on the work of Deleuze (1993), Kwa outlines three characteristics of the baroque: 'First the historic baroque insists on a strong phenomenological realness, a 'sensuous materiality'. Second, this materiality is not confined to, or locked within a simple individual but flows out in many directions, blurring the distinction between individual and environment. And third, there is also the baroque inventiveness, the ability to produce lots of novel combinations out of a rather limited set of elements, for instance as in baroque music.’ (Kwa, 2002:26). So Kwa’s version of the baroque encourages us to ‘look down’ at the detail rather than to ‘look up’ for some broader picture (Law, 2002). In practice that may well mean seeing the ways in which the broader patterning of practices such as the global flows of information, shifting power relations and so on are inscribed or become manifest in specific situations. To be continued....
Friday, March 25, 2011
The hammer and the keyboard
In the everyday use of tools, their operation becomes routine and normalized. Interfaces work in the same way. When we switch devices there is often a certain amount of disruption and we are thrown back on the stubborn materiality of our instruments of control, those tools that we normally experience as being straightforward - become almost invisible. 'Heidegger's hammer' is a way of explaining how the tool recedes from view in daily use. Its visibility is heightened when 'the tool turns out to be damaged or the material unsuitable.' (1962:102). That was my experience operating the above keyboard. Nothing went well. I had to look a bit closer to see that the familiar looking object was subtley different. The letter arrangement is not the usual QWERTY layout, but the Belgian equivalent. It disrupted my operations, I became hesitant and dependent on an expert to guide me.

