Discourses in time

I like the idea of 'retired' signs and sometimes show them on my Flickr stream. One of the good things about Scollon and Scollon's 'Discourses in Place' is the detailed attention given to the context of everyday environmental signs. They suggest that 'there is a major aspect of [...]meaning that is produced only through the placement of that sign in the real world in contiguity with other objects in that world.' (Scollon & Scollon, 2003:30). But of course place cannot be properly discussed without time. This No Parking sign has, I assume, lost its authority through the passage of time. How do we know that a sign's meaning is still current?

Selective attention

This video caught my attention partly because it so clearly states its intention. I suppose it could be seen as a good example of getting public engagement in research using YouTube. But I was also interested in the whole phenomenon of ‘inattentional blindness’ or the idea that if you're not focusing attention on something you can hardly be said to perceive it. Not only did it remind me of Goffman’s idea of ‘civil inattention’ in which we notice but don’t stare (codified as politeness) but on a deeper level it made me think of the cultural scripts or ideologies which we are more often than not blind to. These implicit ideologies frame our view of the world; masquerading as common sense they are experienced as ‘the way things are’. Gramsci has a great way of describing these ideologies as ‘a product of the historical process...which has deposited in you an infinity of traces without leaving an inventory.’ (Gramsci, 1995:324). The work involved in seeing the gorilla is slight in comparison, but the underlying principle of focus, or should I say critical focus, seems to me to be analogous.

Mapping place

The map is not to be confused with the territory but it does nevertheless produce a virtual representation of it. Early aerial photography seems to have provided an interesting interruption to this distinction. As Hauser observes, ‘The most familiar of things.... were all made unfamiliar from the air. The aerial view flattened out the landscape, pictured it like a map, and with such resolution, such detail...but unlike maps they were records as well as diagrams, containing photographic information that was sometimes unexpected and always up-to-date.’ (Hauser 2007:105). Enter Google Maps and Streetview; and as I noted here, there is often the element of the unexpected even though it may not necessarily be up-to-date! But maps are a very useful way of knowing your place, where you started from and how to get to where you want to go, and Google has again begun to blur the boundaries between representation and view. Traditional maps reduce the excess of information through the application of measurement and symbolisation, and so become a material representation of space and of those objects in it that are seen as significant. A spatial map becomes a coded text. ‘Looking at a contour map, the student sees lines on paper, the cartographer a picture of a terrain.’ (Kuhn, 1970:111). The geographer’s map is always selective, drawing attention to certain aspects of place to the exclusion of others, and in this way it maps the relationship between significant objects. And I suppose it is this selectivity that tempted Borges to suggest the 1:1 map in his fast fiction ‘On rigour in science’ in which ‘the Cartographers Guilds struck a Map of the Empire whose size was that of the Empire, and which coincided point for point with it’ (Borges, 1998:325). Borges’ fictional map is subsequently deemed useless; in contrast, Google seems to have a very useful product.

Changing place

Augmented (hyper)Reality: Domestic Robocop from Keiichi Matsuda on Vimeo.

I'm intrigued and slightly disturbed by our first glimpses of what augmented reality might look like. In a comment in an earlier post I posed the question of what happens to theories of place-based practice when virtual space overlaps or annotates a physical space. The video above - which Karen Wohlwend showed at the UKLA conference suggests how this might play out. The Junaio app for the iphone provides a foretaste of AR, but I'm not particularly attracted to the idea of staring at the world through a smartphone. Nevertheless the idea of being able to access deeper levels of information about real world places is attractive, but as the video suggests it could provide all sorts of information that we might wish to filter out. Maybe here's yet another reason for returning to the critical?

The future of critique

Gunther Kress, in his latest book, argues for a shift from critique to the ethics of design. I won't rehearse all of his arguments here - but merely point to some important themes. Most of these relate to what has been called the condition of late modernity. In short we have witnessed a shift from a society in which workers produced and then consumed in their remaining free time, to a one in which consumers have become producers and sometimes work in their free time - and all of this in a globalised and heavily marketised economy in which the old stabilities of a social order have fragmented. Lifestyle becomes more important than social position and design or re-design becomes the available arena of agency and even resistance. Kress argues that design is prospective; critique retrospective. But there seems to be something awry when the discourse of the market starts to erase or at least re-write critical or emancipatory positions. It seems to me that one thing that the New Literacy Studies has in its favour is a foundational recognition that power structures practices. This strengthens its application to different socio-cultural settings and the particularities of place. It can therefore be applied to textual practices that seem to embody or live in the condition of late modernity - sketched out above - as well as in contexts where older and more familiar forms of social order persist. In literacy and media studies there is this tendency to stop short of spelling out what a new critical practice might look like, but I think it is well overdue.

Blurring

It's happened before, but not in such an extreme way. At Winchester I met someone for the first time that knew lots and lots about me. My work, my house move, my family events, my sadness, interests, pets....lots of things! This blogger has followed mine (without me knowing it) for quite some time. And unlike before that hasn't been reciprocated. I've been followed without following. It was - and I must admit to it - quite a surprise, not that I mind at all, after all that's part and parcel of life online. I suppose I've embraced the blurring of private and public, and as the previous post shows, I'm not particuarly upset believing that I have nothing particular to hide. I remember in fact when working with Julia Davies on this project that we thought of blogs as being like a window onto the street. You looked out, but passers-by also looked in. You controlled what they saw, but you couldn't completely obstruct their gaze. At least if you did there would be no blog. Like all metaphors the street window goes only so far in capturing what goes on. When Colin and Michele put something different 'in their window', it still works. Somehow keeping blogging seems to be the main point, and if there are readers, even if you don't know who they are, that's got to be a good thing!

Literacies in place

View Larger Map

In a previous post I wrote about the emphasis on place and space that characterised the CSNL conference, and this thread continued through the UKLA International Conference in Winchester. In the Focus Day, which addressed multilingual/plurilingual issues it was an everpresent theme right from Christine Helot's explorations of language politics and pedagogy in Alsace to Dina Mehmedbegovic's nuanced look at place-referenced autobiographical writing in London schools. Although the International Conference keynotes didn't directly reference the significance of location, Barbara Comber returned to the theme with a delightful exploration of place-based pedagogies. The critical literacies symposium which included Hilary Janks and Helen Nixon provided more illustrations of the significance of place and its interconnections across time and space through the stories of the cameleers - the Afgani migrants to Adelaide. Since I've been thinking about what happens to geosemiotic approaches when virtual space overlaps or annotates a physical space, this provided me with an alternative perspective in the sense that the particularity of place is always infused with stories from elsewhere whether in terms of personal/family narratives or other texts. And so Margaret Mackey's poignant auto-bibliography, her own multimodal literacy history, illustrated this in another way. Part of her experience growing up in Newfoundland was simply about family, that most personal space, but then the influence of books and TV with a distinctly North American feel showed how that took 'place' in a wider socio-historical context. But Roy Rogers (and Trigger), the Lone Ranger (and Silver) had a much wider currency. I was struck by the way in which these TV narratives with their proto-global distribution became loaclised. As Margaret was crawling through wet grass of semi-rural Canada, I was riding the arms of a sofa in urban England - both of us embodying those cowboy narratives of the 1950s in different ways and anchoring them to the spaces we variously inhabited using, of course, the materials at hand to make our different meanings. In a rather different way, Dylan Yamada-Rice had already pointed us to the specifics of place-as-text through her fascinating visual explorations of London and Tokyo. Google StreetView makes the particularity of place instantly and globally available as the image above shows. Here I'm captured pruning the holly tree at home last summer - virtual space overlaps and annotates physical space!

Generation re-wind

This little video's gone viral with its easy-to-digest dystopia/utopia message. It's an interesting example of how the affordances of the moving image can subvert the linearity that is usually associated with the written word. Maybe calling it a palindrome-poem is a bit of a stretch...but what's really interesting is the way the Lost Generation meme moves from parody to critique as the Lost Generation Sucks illustrates pretty well.

CSNL summer conference

I did the final plenary for the CSNL Summer Conference yesterday so I thought I'd show a fuller version of that here today. I was struck, after over ten years of work, how the new literacies remain hard to describe - a bit like the exotic lands visited by old-school ethnographers. In 1957, Raymond Firth wrote of one such trip saying 'I wondered how such turbulent human material could ever be induced to submit to scientific study.' It sometimes seems that we are dealing with equally turbulent material, albeit much closer to home. And so there is an almost restless searching for descriptive and analytical frameworks through which we might make sense of new practices (if indeed they are new). Media studies, new literacy studies and multimodality have all informed our work and there is a call for still wider interdisciplinarity. In the CSNL conference we heard more of the geosemiotic turn in literacy studies. Scollon & Scollon's (2003) notion of discources in place was evoked on a number of occasions, most notably by Karen Wohlwend who used this and the earlier nexus analysis to explore representations of children and technology. She illustrated how discourses of childhood circulated on YouTube and how these were renewed or revived through processes of participation. Participation subsequently became a major theme in the conference. The Jenkins White Paper was much cited, but with rather scant reference to 2 key issues that are often missed. One is the issue of the participation gap and the other is the idea of critical media literacy which is often referred to but seldom fleshed out. (For a critique of the concept of 'participation', this may help). Another weighty concept that was frequently evoked was that of identity. Jennifer Rowsell drew our attention to the producers in TV, game design, and on the web - those who are often hidden from view or erased by our romanticised views of participation and user-generated content. Producers are important if we believe that particlular identity positions are made available through the meaning-making resources that children and young people use. (Perhaps there is some kind of notion of identity affordances here - possibilities for certain kinds of performance.) We also learnt about multimodality as a counternarrative, a way of destabilising taken-for granted notions of curriculum and pedagogy and again, and perhaps in a similar way, how the relationship between formal and non-formal practices raises new questions for educators. Scott Bulfin argued that we needed to move beyond the simple recognition of new and complex meaning-making practices and suggested that it might also be fruitful to look at what happens inside schools but outside classrooms. This had a number of resonances with Julia Bishop's excellent presentation on children's playground rhymes in which she illustrated a different kind of complex-meaning making - in texts which are inhabited and embodied in interstitial spaces in children's free time. That brought me full circle to a consideration of analytical models, since the use of space, the identity affordances and the challenge of describing texts that are chanted to subtle rhythmic patterns and simultaneously enacted corporeally and gesturally have a number of similarities with what we see on YouTube, in virtual worlds and in other digital texts.

Return to the series!

Computer problems interrupted my sequence of posts on the ESRC seminar series final conference, but fortunately in the meantime the wonderful Sheila Webber has gathered together a range of resources. There's a set of pics on Flickr (I stole the one above), a chatlog, and a couple of YouTube videos. They're all linked from Sheila Webber's blog, please have a look. It's an excellent record of the event.

Literacies in virtuality

I notice that yesterday's Prezi doesn't always show up. It seems to in Firefox and Safari, but not in Explorer. Strange. So today I'm showcasing a student video that should work...I think it's really good! Does it link well to the second seminar series theme? Well it might, and that all depends on your conception of literacy. Recently Gillen and Barton (2010) seem to have been quoted a lot, defining digital literacy as 'the constantly changing practices through which people make traceable meanings using digital technologies.' Throughout the series we have been examining these practices, noting their multimodal nature and the ways in which the boundaries between reading and writing, between production and consumption are repeatedly blurred. It's also become apparent that within many digital environments the text is not only multiple but contains individual points of view. Each inhabitant sees and experiences Second Life from a unique perspective; no two Twitter streams will look the same, an so on. Point of view becomes an ever more important dimension as readers and writers construct their own journeys through the textual landscape. Along with this we've noted the development of new narrative vehicles and encountered complex questions of authorship, and repeatedly asked how these new kinds of texts map on to curriculum areas like media studies, English, drama or literacy. So in some ways, Helen Nixon summed it up when she asked how far can we stretch the term literacy before it ceases to be useful?

What is the virtual, anyway?

In virtual worlds on Prezi

In virtual worlds on Prezi - these are the four themes that seem to me to have dominated the virtual worlds seminar series (link). I'm just taking the first today, which is the problematic nature of notions of virtuality. I considered applying Lefebvre, because in a sense some virtual worlds seem to work in opposition to other spaces (heterotopias) and others seem to mirror them (isotopias) - but this sort of analysis hinges on the distinctiveness or even the separation of the virtual from the everyday and the series has made me question this. So that drives me back to interrogating the concept of the virtual. So we think of the virtual as 'almost', an approximation or a movement towards something more real; we regard it as an 'as if' world, a simulation of the more familiar, it is 'quite similar' to the everyday, but always, as Deleuze and Guattari suggest it is defined in relation to 'the real'. In our uses of the term virtual, the word reality is bracketed or elided. On Saturday I suggested that one of the most common uses of the word was in describing a virtual learning environment - a place where virtually no learning at all takes place! But our discussions on the virtual took us further on as we saw that many non-digital experiences shared the same charcteristics that have begun to associate with the virtual. Viewing film, immersive book reading, drama, role play and fantasy games are good examples of when an imaginative parallell world is conjured into being...and these sorts of experiences are interwoven with mundane reality just as virtual world gameplay is. Players and inhabitants of the metaverse engage in multiple textual worlds in which the distinction between online and offline becomes arbitrary. Constance Steinkuehler's 'constellation of literacy practices' is a very helpful description of this. There is a continual to-and-fro movement between RL and VL which suggests that any distinction between the two should be more precisely defined than we have tended to do so far.

Researching virtual worlds

Yesterday's conference ended the ESRC Seminar Series in an appropriately celebratory style in Second Life - attracting a varied and engaged international audience. In the morning I had a brief spot, summarising some of the main themes that have emerged in the course of the five seminars and I'll be posting that up in the next couple of days. For now though, my immediate impressions are of the different ways in which research is addressing children and young people's engagement with virtual worlds. There are 3 basic orientations. The first is simply to plot what's going on in the metaverse - essentially various interpretations that look for demographics beneath the general statistics offered by organisations like K-Zero and the Kaiser Foundation. There are some built-in difficulties such as the shifting allegiancies of age groups, the problem of determining regional variations and how to look further than statistics about the number of accounts. In a rapidly changing market there is a danger that by the time you publish it your data is out of date. The second orientation is to treat virtual worlds as texts, to look at their social affordances, their communicational possibilities or the identity positions that they offer to inhabitants and visitors. This holds considerable fascination and offers all sorts of challenges - perhaps the greatest of which is how to produce an account that takes into consideration how children and young people read or read against these texts, what sorts of resistance, subversion or parodic uses they create. The third orientation is to try to understand the sense and the meanings that these users actually make as they enter virtual worlds, how they evaluate the experience and their own levels of sophistication and critique. Here there may be a degree of rich description, but the usually difficulty in saying anything that is more general - which simply goes to illustrate that these orientations are by no means new, and simply reframe existing challenges in how we interpret and understand textual landscapes and the interactions that take place within them.

Saturday's conference

It's the final conference of the ESRC Seminar Series 'Children and young people's digital literacies in virtual online spaces' at the University of Sheffield on Saturday. We have a great line-up with presentations from Victoria Carrington, Cassie Hague and Sarah Payton from FutureLab, and Bill Lord. Paul Coulton will be orchestrating some mobile mayhem. In the afternoon the conference migrates to Second Life where we have Peggy Sheehy, Rebecca Black and Constance Steinkuehler. If you can't join us in RL the conference venue in SL is here. That's 2:00pm BST on the InfoLit Island. It'll be a great event!

Media literacy

Gus Andrews was very entertaining at NMC. She spoke about the making of The Media Show with some examples (not this example I don't think, but I chose it because I fell for a number 5). You can find out more here. This constitutes a particular approach to critical media literacy - perhaps, at route it's an inoculation model, but I must say I like the way it's done.

Reading new media

Today was the end of NMC 2010. The final keynote by John Seely Brown was a thought-provoking look at non-formal learning, with the suggestion that this involves the same dispositions (habits of mind) that are at the heart of 21st Century learning with new media - debatable but interesting. The conference has been dominated by video presentations and projects, like the one above, which has some interesting contradictions. I'm sure the kids enjoyed the choreography and the opportunity to dance, wave books and work to the BEP song. But the project enlisted the so-called new media to promote an old medium (nothing wrong in that), yet no-one is actually reading or really demonstrating any of its benefits!

NMC Conference

In yesterday's opening keynote at the NMC Conference, Mimi Ito was as thought-provoking as ever. The 'hook' for the audience was the webcam lipsync meme on YouTube as an instance of new media practice. Apparently having its genesis in Gary Brolsma's Numa Numa with its 37 million views, she used the example and its subsequent development to make points about production and learning. Posing the question of how, as educators, we can leverage informal learning and develop critical media literacy.

Mimi's 3 themes were the movement from originality to appropriation; stocks of knowledge to flows of knowledge; and assessment to reputation, the last of which was illustrated by the AMV work and these were set against the backdrop of blurring boundaries between school/out-of-school, popular/mainstream culture, formal/informal learning and so on. We wondered whether her 3 themes really did capture something new or whether they are better conceived of as a continuum for mapping specific kinds of activity and engagement.

Integrating technology

Let's Go Water Quality trial from CeLeKT on Vimeo.

This is an interesting short video that includes mobile phones and QR codes in some school science work on water quality. The traditional teaching looks a bit scary, but the students seem to be engaged in some good quality learning in which technological tools serve a useful purpose. This is part of a suite of projects hosted by the Centre for Learning and Technologies at Linnaeus. Full details are available here.

Social media spaces

I've been reading Matt Locke's blog recently. Matt is Channel 4's Education and New Media Commissioner. Being an enthusiast for typologies and lists I'm rather taken with his six spaces of social media. It's an idea he first came up with three years ago, but it still works. The six spaces are secret spaces (SMS, MMS, IM), group spaces (Facebook, Myspace, Bebo), publishing spaces (Blogger, Flickr, YouTube), performing spaces (Second Life, World of Warcraft), participation spaces (Meetup, Twitter) and watching spaces (mobile tv). Here's the original post. And in the pic you'll see the poster for the amazing ESRC Seminar Series dissemination conference. This, in true style, will happen in a number of spaces - face-to-face in Sheffield, on Twitter, and in the afternoon in Second Life (here).

Immersion and ambiguity

Britta ended her talk on Friday with this provocative video 'Immersion', originally featured on the New York Times site. It's the second time I've seen it and I can't help feeling that it seems like a criticism of new media because of the way in which some of the gleeful expressions are juxtaposed against violent audio tracks from the videogames. For me it also edits out some important features like reflection, decision-making, problem-solving and, of course, collaboration. But interestingly not everyone sees it like that. Others I talked to on Friday just see the level of immersion - and maybe the idea that gamer kids have other (newer?) pleasures, and I think that was Britta's reading of it. On reflection it's a real test case in multimodality, because somethings are clearly communicated but others are open to interpretation. Should we care about the author's intentions? Or, even if we knew them, would they be relevant? Presumably a written account of the topic of immersion in videogames would require some point of view, and perhaps a more closed set of meanings (interestingly, point of view has an alternative meaning here). I'm not arguing that that would be better, of course. Just different. Any views on the video?